Search: Starring Al Pacino

The narrow focus, combined with Stokman’s easy-going, informal narration, mean that the documentary is neither gripping nor even particularly informative.

As a history and celebration of Brando's life and eccentricities, it's hard to beat.

Aided by a bug-eyed, intensely committed turn from Al Pacino, Cruising is a startling and haunting film.

This isn't a lecture about acting your age, nor is it an advert for Viagra. It's far more sentimental.

I think this is the best film made about the Mafia.

A movie like this should be fun, or disturbing. To be neither means that two-and-a-half hours watching Reeves attempt a purposeful expression and Pacino play the diabolical charm card is a long time waiting for cheesy effects and naked bods.

A compelling and powerful character piece.

Great cast, great dialogue, great Baldwin cameo, great movie.

A masterpiece of restrained filmmaking

The plot doesn't move and the story is unbelievable.

For all its flaws, Hangman is quite watchable and doesn't overstay its welcome.

Mann’s film is a stone-cold masterpiece.

An inconstancy of detail might be forgivable if it were not matched by inconstancy elsewhere.

Mann brings an artistic density, adding another dimension to aspiration and fear.

With some awesome location shots of the Arctic circle and a brooding score from David Julyan, Nolan’s picture oozes atmosphere.

Scorsese shoots at what is truly important in life and does so, miraculously, by putting the spotlight on organised crime

Logan's writing fails to match Pacino's restraint, while Green's direction seems - like his central character - to be filled with a longing for more, yet being held back from going there.

You are unlikely to see stronger performances in a costume drama for a very long time.

If ever a film seemed aimed squarely at a family matinee audience, this is it.

Tarantino's on good form but there are moments in the middle of the 165-minute marathon where it flags before mustering for its finale.

The film deserves five stars for Pacino's performance alone, but relies too heavily upon him.

This should be Farrell's springboard to the A-list, but the film isn't strong enough to hold his weight.

Righteous Kill relies heavily on its two capable leads, but by and large it gets away with it.

Writer/director Andrew Niccol makes his point with the subtlety of a Vin Diesel chat up line.

Overrated and extremely dated.

What the film does well is to provide an air of sheer unpredictability.

It’s hard not to get swept up in the ride.

This intense, yet sidelong glance at a deeply polarising topic might just give new life to a debate that suffers from political hubris set against rather static public opinion.